O COME ALL YE FAITHFUL
1760
Title and Original Language
Original Latin Title: Adeste Fideles
English Title: O Come, All Ye Faithful
Authorship
The authorship of Adeste Fideles is a bit debated:
John Francis Wade (1711–1786)
Most widely credited as the composer and original copyist of the hymn.
Wade was an English Catholic living in exile in France.
His manuscripts from the mid-18th century contain the earliest known version of the hymn.
Other Theories
Some scholars suggest that portions of the hymn may have been written earlier, possibly by Portuguese or French composers.
There’s speculation that the hymn may have roots in 17th-century Portuguese hymns.
Original Purpose and Context
Written for Christmas, celebrating the birth of Jesus Christ.
Originally composed in Latin for use in Catholic Mass.
The hymn invites worshippers to come and adore Christ, the newborn King, which is reflected in the refrain:
“O come, let us adore Him.”
Translation into English
The most famous English translation is attributed to Frederick Oakeley (1802–1880), an English clergyman.
Oakeley’s translation was first published in 1841 in Lyra Catholica, an English Catholic hymnal.
His version became widely popular in English-speaking countries, especially after it was included in hymnals in the late 19th century.
Musical Composition
The melody we associate with the hymn is also attributed to John Francis Wade.
It has a majestic and triumphant character, fitting for the call to worship and adoration.
Originally written for organ or choir, it has since been adapted for congregational singing.
Popularity and Influence
Over time, it became one of the most beloved and widely sung Christmas carols globally.
Its enduring appeal lies in its simple yet powerful message of joy and adoration, making it a staple in both religious and secular Christmas celebrations.
Modern arrangements exist for orchestras, choirs, and solo performances.
Summary Timeline:
1711–1786: John Francis Wade, English Catholic exile, writes the hymn in Latin (Adeste Fideles).
1740s–1750s: Hymn begins circulation in Wade’s manuscripts.
1841: Frederick Oakeley translates it into English.
Late 19th century–present: Hymn becomes widely sung worldwide.

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