WE'RE MARCHING TO ZION
1707
1. Origins of the Lyrics (1707)
The words come from the hymn “Come, We That Love the Lord”, written by Isaac Watts (1674–1748), often called the Father of English Hymnody.
Author: Isaac Watts
Year: 1707
Original publication: Hymns and Spiritual Songs
Biblical inspiration: Psalm 122 and Hebrews 12:22
Watts wrote the hymn to encourage joyful, unified worship and to emphasize the Christian journey toward Zion, symbolizing:
Heaven
The Kingdom of God
Spiritual unity and hope
The famous refrain “We’re marching to Zion, beautiful, beautiful Zion” does not appear in Watts’s original version.
2. The Tune and Refrain (1867)
The familiar melody and refrain were added much later.
Composer: Robert Lowry (1826–1899), an American Baptist minister and gospel music composer
Tune name: Marching to Zion
Year composed: 1867
Lowry adapted Watts’s hymn to fit the lively, march-like gospel style popular in 19th-century American revival meetings. He added the repeated refrain, which made the hymn more energetic and easier for congregations to sing.
3. Meaning and Themes
The hymn emphasizes:
Christian fellowship (“Let those refuse to sing who never knew our God”)
Spiritual pilgrimage (life as a journey toward heaven)
Joyful anticipation of eternal life
Unity of believers marching together
Zion is portrayed not as a distant place of fear, but as a beautiful and joyful destination.
4. Historical Use and Influence
Widely sung in revival meetings, camp meetings, and Sunday services
Popular across denominations, especially Protestant churches
Frequently associated with themes of hope, perseverance, and communal faith
Its marching rhythm made it suitable for processions and outdoor worship
5. Legacy
Today, We’re Marching to Zion remains a staple in hymnals worldwide. Its enduring popularity comes from the powerful combination of:
Watts’s rich theology
Lowry’s memorable, uplifting melody
Together, they transformed a reflective 18th-century hymn into a joyful anthem of faith and movement.

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