Jesus, I Come

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 1887


Here’s the story behind the hymn “Jesus, I Come”—a classic gospel invitation hymn with a really clear backstory.


Origin and Authors

Lyrics: William True Sleeper (1845–1904)

Music: George Coles Stebbins (1846–1945)

Year written: 1887

The hymn was written during the late 19th century, a period when gospel songs were especially focused on personal conversion, repentance, and assurance of salvation.


How the Hymn Came About

William T. Sleeper was a Congregational minister and hymn writer. He wrote the text as a testimony-style poem describing a decisive turning point in a believer’s life—moving from sin, fear, sorrow, and self-reliance to Christ, rest, and freedom.

Each stanza follows the same powerful pattern:



“Out of…” – the old life (bondage, fear, sorrow, pride)



“Into…” – the new life found in Christ



Ending with the repeated declaration: “Jesus, I come!”



This structure made the hymn especially effective for revival meetings and altar calls, where clear spiritual decisions were emphasized.


The Music

George C. Stebbins, a major figure in American gospel music, composed the tune. He worked closely with evangelists like Dwight L. Moody and was known for writing melodies that were:



Easy to sing



Emotionally direct



Memorable for congregations



Stebbins’ tune perfectly matched Sleeper’s text—strong, confident, and forward-moving, mirroring the act of coming to Christ.


Publication and Spread

“Jesus, I Come” was first published in Gospel Hymns No. 5 (1887), a hugely influential hymnal used in revival services across the United States and beyond.

Because of this exposure, the hymn quickly became popular in:



Evangelistic services



Protestant church hymnals



Invitation and testimony-focused worship



It is sometimes referred to by its opening line:

“Out of my bondage, sorrow and night.”


Theme and Legacy

The hymn centers on:



Repentance



Personal surrender



Immediate response to Christ



Its enduring popularity comes from its simplicity and clarity—it doesn’t describe a gradual spiritual journey, but a decisive step of faith.

Today, “Jesus, I Come” remains a staple in:



Traditional hymnals



Revival-style worship



Churches emphasizing personal conversion

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