Just a Little Talk with Jesus

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 1937

“Just a Little Talk with Jesus” – History of the Hymn

“Just a Little Talk with Jesus” is a beloved gospel hymn written in 1937 by Cleavant Derricks, an American gospel songwriter and choir director.

🎵 Background of the Author

Cleavant Derricks (1910–1977) was a prominent African American composer, choir director, and minister. He served as a music director at the historic Abyssinian Baptist Church in New York City, one of the most influential Black churches in the United States.

Derricks wrote more than 300 gospel songs, and “Just a Little Talk with Jesus” became his most widely known composition.

✍️ Origins of the Hymn

Derricks wrote the hymn during a period of personal struggle in the 1930s. According to accounts, he had been ill and unemployed for a time. While reflecting on his faith and the comfort of prayer, he composed this simple but powerful song emphasizing personal communication with Jesus.

The hymn reflects a core message of:

  • Direct, personal prayer

  • Faith during hardship

  • The assurance that Jesus listens and answers

Its conversational tone made it especially relatable.

🎶 Musical Style

  • Genre: Gospel hymn

  • Style: Call-and-response friendly

  • Rhythm: Often sung with a lively, upbeat tempo

Though originally written as a slower spiritual meditation, many congregations later adopted a faster, more rhythmic arrangement typical of gospel quartet singing.

📖 Lyrical Theme

The refrain emphasizes:

“Now let us have a little talk with Jesus,
Let us tell Him all about our troubles…”

The song encourages believers to:

  • Bring worries to Jesus

  • Trust in His guidance

  • Experience spiritual relief through prayer

⛪ Influence and Legacy

“Just a Little Talk with Jesus” became:

  • A staple in African American churches

  • Popular among gospel quartets

  • Included in numerous church hymnals across denominations

It has been recorded by many gospel artists and remains widely sung in churches today.

The hymn stands as a classic example of early 20th-century American gospel music that combined personal testimony with congregational participation.



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