There Shall Be Showers of Blessing

 1883

“There Shall Be Showers of Blessing” – History of the Hymn

“There Shall Be Showers of Blessing” is a well-known Christian hymn written in 1883 by Daniel Webster Whittle (lyrics) and composed by James McGranahan (music).


📖 Biblical Inspiration

The hymn is based on Ezekiel 34:26 from the Bible:

“I will cause the shower to come down in his season; there shall be showers of blessing.”

The imagery of “showers” symbolizes spiritual renewal, revival, and God’s abundant grace.


✍️ The Lyricist – Daniel Webster Whittle

  • A former Civil War soldier who later became an evangelist.

  • Closely associated with the evangelical revival movements of the late 19th century.

  • Worked with well-known gospel musicians, including Philip Paul Bliss and James McGranahan.

  • Wrote many hymns under the pen name “El Nathan.”

Whittle’s evangelistic ministry heavily emphasized prayer, repentance, and revival—key themes reflected in this hymn.


🎵 The Composer – James McGranahan

  • A prominent gospel songwriter and singer.

  • Frequently partnered with Whittle in revival campaigns.

  • Known for composing singable, emotionally expressive gospel tunes suitable for large gatherings.


🌎 Spread and Popularity

  • First published in the 1880s during a period of active revival meetings in America and Britain.

  • Became widely used in evangelical churches.

  • Frequently sung during revival services, prayer meetings, and missionary gatherings.

  • Translated into multiple languages and included in many hymnals worldwide.


💡 Themes of the Hymn

The hymn centers on:

  • Spiritual revival

  • God’s promised blessings

  • The need for repentance

  • Prayer for renewal

  • Dependence on divine grace

The refrain, “Showers of blessing, showers of blessing we need…” expresses both confidence in God’s promise and a plea for spiritual awakening.


🎶 Lasting Influence

Over a century later, “There Shall Be Showers of Blessing” remains:

  • A staple in traditional Protestant hymnals

  • Popular in Pentecostal and revivalist traditions

  • Frequently sung in Africa, Asia, and Latin America

Its enduring appeal lies in its hopeful message and memorable melody.

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